How I Wrote Wild Horses by Tiago Miller
‘It’s impossible for me to write about how I translated Jordi Cussà’s Cavalls salvatges without thinking of The Fall’s ‘How I Wrote Elastic Man’. At the end of the day, did I translate Cavalls salvatges? Did I write Wild Horses? Was it a combination of the two? Does anyone even give a shit?’
The Lunate Interview - Ben Pester
‘Don’t make the mistake of sending work out all the time, feverishly trying to be published and looking at other people getting published and feeling left behind. You should have your work out there, but you shouldn't do it based on some sort of numbers game.’
The Lunate Interview - Natasha Randall
‘When you publish your novel, there’s a little death in it: which is to say it ceases being yours, and it starts being everyone else's. So you mourn it a little bit when you're finished, and you give it away.’
The Lunate Interview - Nicholas Royle
‘When I take a story I always warn the writer that it could be awaiting publication for a long time. Sometimes I do actively go looking for a story to fit with another and that’s obviously tricky.’
The Lunate Interview - Eliza Clark
‘I like to think I’m funny. Irina’s voice was originally a lot more like mine. In the very, very draft stages she was much more self-deprecating, infused with anxiety, a surface-level self-loathing.’